AC

Research Platter

Full knowledge base for Aesthetic Computer papers and research.
362 pieces · 76 lib modules · 95 functions · 162 plans · 109 reports · 8 studies · 87+ readings · 28 papers
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Papers

28 publications

Dashboards

visual indexes

Opinions

4 essays · rendered at aesthetic.computer/opinion

Whistlegraph

10 scores · pieces · album · zine · paper
Context
Form invented 2019 · Trio: Jeffrey Alan Scudder, Alex Freundlich, Camille Klein (2020–2023) 2.6M TikTok followers · Rhizome / New Museum commission (2022) · Feral File exhibition (2022, 45 ed.) Zine: 60pp, ed. Asher Penn (Sex Magazine), essay by Jacob Ciocci (Paper Rad), 750 copies (2023) Studio album: Music 2 Whistlegraph 2 (Dec 2022, prod. Charlie Kamin-Allen) Trio separated Nov 2023 · Form feeds directly into AC's piece model and prompt-as-instrument metaphor Merle Nunneley — article on Whistlegraphs (UCL London) txt

Runtime Source

boot · bios · disk · 76 lib modules

Readings Library

48+ texts with full-text extracts
Software Art & New Media Theory (from SoSoft list)
Alexander R. Galloway — Protocol: How Control Exists after Decentralization (MIT Press, 2004) txt · 10498 lines Lev Manovich — Software Takes Command (Bloomsbury, 2013) txt · 13804 lines Matthew Fuller — Behind the Blip: Essays on the Culture of Software (Autonomedia, 2003) txt · rough OCR Vilém Flusser — Into the Universe of Technical Images (U Minnesota Press, 2011) txt · 6910 lines McKenzie Wark — A Hacker Manifesto (Harvard UP, 2004) txt · 6402 lines Christopher M. Kelty — Two Bits: The Cultural Significance of Free Software (Duke UP, 2008, CC BY-NC-SA) txt · 15808 lines Wendy Hui Kyong Chun — "On Software, or the Persistence of Visual Knowledge" (2005) txt · 1133 lines Gene McHugh — Post Internet (Link Editions, 2nd ed. 2019, CC BY-NC-SA) txt · 11839 lines Domenico Quaranta — Beyond New Media Art (Link Editions, 2013, CC) txt · 11337 lines Domenico Quaranta — In Your Computer (Link Editions, 2011, CC) txt · 8511 lines Philip Galanter — "What Is Generative Art? Complexity Theory as a Context for Art Theory" (2003) txt · 894 lines Eric S. Raymond — The Cathedral and the Bazaar (O'Reilly, rev. ed., OPL) txt · 11446 lines Olga Goriunova (ed.) — Readme 100: Temporary Software Art Factory (2006) txt · 5366 lines Addie Wagenknecht (ed.) — Deep Lab (Frank-Ratchye STUDIO, CMU, 2014) txt · 5482 lines Lev Manovich — The Language of New Media (MIT Press, 2001) scanned PDF · needs OCR Wendy Hui Kyong Chun — Programmed Visions: Software and Memory (MIT Press, 2011) MIT OA · needs extraction Matthew Fuller (ed.) — Software Studies: A Lexicon (MIT Press, 2008) Monoskop · blocked Mansoux & de Valk (eds.) — FLOSS+Art (GOTO10, 2008) Monoskop · blocked
Platform Hegemony & Critique-as-Content (Sucking the Complex)
Human Rights Watch — "Video Unavailable": Social Media Platforms Remove Evidence of War Crimes (2020) txt Claire Bishop — "Digital Divide: Contemporary Art and New Media" (Artforum, Sept 2012) txt · full text from Monoskop PDF Jerry Saltz — "MoMA's Glorified Lava Lamp" (Vulture, Feb 2023) paywalled · source Martine Syms — "The Mundane Afrofuturist Manifesto" (Rhizome, 2013) txt · reconstructed from multiple sources Kyle Chayka — Filterworld: How Algorithms Flattened Culture (Doubleday, 2024) book · no open access Anil Dash — "NFTs Weren't Supposed to End Like This" (The Atlantic, Apr 2021) txt · summary + follow-up (paywall) Strafella & Berg — "Twitter Bodhisattva: Ai Weiwei's Media Politics" (Asian Studies Review, 2015) paywalled · academia.edu Eyal Weizman — Forensic Architecture: Violence at the Threshold of Detectability (Zone Books, 2017) book · no open access Kylie Budge — "Objects in Focus: Museum Visitors and Instagram" (Curator, 2017) txt · abstract only (Wiley paywall) Joanna Zylinska — AI Art: Machine Visions and Warped Dreams (Open Humanities Press, 2020, CC BY-SA) txt · 4823 lines

Citation Diversity

audit & reading list
Current Audit (across 9 papers, 68 unique works cited)
Women authors: ~11% (9 of ~80 unique authors) Non-US/UK/EU authors: ~5% Black / Indigenous / LatAm / Asian scholars: ~6% Goal: each paper cites at least 30% women, 20% non-Western authors Full audit paper: Citation Diversity Audit '26 (4pp PDF)
Women in Creative Coding & Live Coding
Joana Chicau — "Choreo-graphic-hypothesis" (web choreography as live coding) Shelly Knotts — "Algorithmic Interfaces" (ICLI 2016) txt Amy Alexander — software art, browser-based performance Phoenix Perry — physical computing, game design pedagogy Allison Parrish — "Language models can only write poetry" (2021) txt Kate Compton — "Casual Creators" (ICCC 2015) txt Ramsey Nasser — non-Latin programming languages (قلب), language design
Latin American Creative Coding
Hernando Barragán — Wiring: Prototyping Physical Interaction Design thesis (2004) txt Hernando Barragán — "The Untold History of Arduino" txt Aarón Montoya-Moraga — creative coding education, p5.js community Cássia Bel — live coding, feminist creative tech (Brazil) Andrés Monroy-Hernández — Scratch community research [already cited]
Suggested additions per paper
AC '26: Yuk Hui (digital objects), Costanza-Chock (design justice), Parrish (creative coding edu) KidLisp '26: Nasser (non-Latin PLs), Compton (Tracery), Eglash (already cited) notepat '26: Perry (physical computing), Knotts (network music), Eshun (sonic fiction) Pieces '26: Benjamin (design bias), Plant (computing history), Steyerl (digital materiality) OS '26: Barragán (Wiring), McIlwain (Black Software), Lewis et al (Indigenous AI) Archaeology '26: Brock (Distributed Blackness), Chun (already cited), Hui (technodiversity)

Studies

8 documents